Mise-en-scène is a French term which means, literally,
"put in the scene." For film, it has a broader meaning, and refers to
almost everything that goes into the composition of the shot, including the
composition itself: framing, movement of the camera and characters, lighting,
set design and general visual environment, even sound as it helps elaborate the
composition. Mise-en-scène can be defined as the articulation of cinematic
space, and it is precisely space that it is about. Mise-en-scène is an
expression used to describe the design aspects of a theater or film production,
which essentially means "visual theme" or "telling a story"
both in visually artful ways through storyboarding, cinematography and stage
design, and in poetically artful ways through direction. Mise-en-scène has been
called film criticism's "grand undefined term". When applied to the
cinema, mise-en-scène refers to everything that appears before the camera and
its arrangement—composition, sets, props, actors, costumes, sounds, and
lighting.
The “mise-en-scène”, along with the cinematography and editing of a
film, influence the verisimilitude of a film in the eyes of its viewers. The
various elements of design help express a film’s vision by generating a sense
of time and space, as well as setting a mood, and sometimes suggesting a
character’s state of mind. “Mise-en-scène” also includes the composition, which
consists of the positioning and movement of actors, as well as objects, in the
shot. These are all the areas overseen by the director, and thus, in French
film credits, the director's title is metteur en scène, "placer on
scene." Andre Bazin, a well-known French film critic and film theorist,
describes the mise-en-scene aesthetic as emphasizing choreographed movement
within the scene rather than through editing.
For some film critic, it refers to all elements of
visual style—that is, both elements on the set and aspects of the camera. For
others, such as U.S. film critic Andrew Sarris, it takes on mystical meanings
related to the emotional tone of a film. The term is sometimes used to
represent a style of conveying the information of a scene primarily through a
single shot often accompanied by camera movement. Mise en scene is nothing
other than the technique invented by each director to express the idea and
establish the specific quality of his work.
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